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In my creative practice, I embody the intricate interplay between desire, labor, its value, and capital, questioning the limitations of duality and collaborating on a third space - a heterotopia. By centering our attention on the creation of this third space, I advocate for embracing hybridization in our interactions with capital so we can imagine new social structures, challenging the prevailing emphasis on binary thinking by highlighting the tension between individual desires and societal norms. In the realm of heterotopias, new social imaginaries emerge, offering uncharted ways to liberation from the constraints of capital and its dialectics.
I propose that artist enterprises, open knowledge platforms, and the commons be monetized in alignment with the broader social good through commoning the supply and demand chain of intellectual property. We must reassess our roles, values, and prices as producers of art and ideas within this framework. It's imperative to occupy time and space together in order to break free from the toxic bonds of the traditional art market.
Ultimately, I am advocating for a reframing of the artistic landscape, one that embraces heterotopic spaces, collective ownership, and transformative practices to usher in a more just and sustainable cultural ecosystem. Through critical inquiry, creative expression, and collaborative action, we can reclaim agency of our intellectual labor and value proportionate within the cultural landscape.
We need to continue to envision new possibilities for artistic production, distribution, and engagement.
Duality is Overrated: Act III - U.S.Congress copyrighted transmedia script and performance, Natalia Ivanova (Bulgaria/America) and Dima Strakovsky (Russia/America) ponder the commons as a body without organs (BWO) brimming with feelings for the Other.
Using the very personal narratives to illuminate the very public cracks in cultural organizing and emergent ethics and aesthetics tools for coalition building, access, and inclusion, Natalia and Dima occupy intellectual space at 21c Museum Hotel in Lexington, Kentucky (U.S.) on Saturday, September 17th, 2022.
Their fiery rhetoric, aimed at the libidinal superstructure of the art world, posits fragmentation and intellectual property games as alternatives to the current modalities of value creation, power, and wealth distribution.
Duality is Overrated: Act I is a two part collaboration between artists Oskar Malone Pëyak and Natalia Ivanova.
Director: Oskar Malone Pëyak
Concept/Text/Performance: Natalia Ivanova
Duality is Overrated: Act II is a two part collaboration between artists Oskar Malone Pëyak and Natalia Ivanova.
Director: Oskar Malone Pëyak
Concept/Text/Performance: Natalia Ivanova
Director & Music: Trae Lawrence Casey
Text: Natalia Ivanova
Natalia Ivanova/Nyx Mont (text) & Sarah Lockhart/STFE (sound) performing Pro Arts COMMONS, May 2022 at Pro Arts Gallery, Oakland, California (U.S.)
Video Documentation by Alexa Wilson of Natalia Ivanova's Performance , 2022
Scope BLN , Berlin, Germany (5:40)
creative commons under the PPAC Art License
I use Morals Clauses Statements to occupy intellectual space and create worlds within worlds through performance, text, visual art, and site-specific projects and exhibitions.
I collaborate with artists and the public, and together, we occupy intellectual property and subsequently share the economic value of our immaterial labor and production.
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